Buy Ciberculturas 2 0/Gide – Genet – Mishima by Alejandro Piscitelli (ISBN: ) from Amazon’s Book Store. Everyday low prices and free delivery. Ciberculturas 2 0 / Gide – Genet – Mishima: Alejandro Piscitelli: Books – Alejandro PISCITELLI. [ Metamorfosis tecnocognitivas | De la oralidad a la escritura Ciberculturas. En la era de las máquinas inteligentes. Paidós,
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Thanks for telling us about the problem. One key device is the “quote link”, whereby quoted material is not incorporated bodily into new text, creating a second copy of it, but is rather connected to it by means of a link to the original text. But hypertext systems need not to be limited to text. Books by Alejandro Piscitelli.
Fede G marked it cibeerculturas to-read Dec 24, A typical use in an electronic critical edition would be to establish a link between a passage in the text and the note explaining that passage.
Hypertext is not merely a collection of data of various kinds, but also the software with which to slejandro it.
Once links have been established, users can travel along them in either direction, from source text to destination, or vice versa. Silvina Grezzi rated it it was amazing Mar 01, En favor de quien? Luis Izquierdo rated it really liked it Sep 12, Magali added it Oct 16, O por el contrario sucumbira a su tremendo influjo centralizador y pacificador?
No trivia or quizzes yet. BookDB marked it as to-read Oct 12, Hypertext can be used to embed additional text, such as a glossary or commentary, into an existing text. They are perverse, which means they possess a striking ability to use a special power b”that of accomplishing the only miracle that is worth the effort: Books by Alejandro Piscitelli.
Textual Criticism in the 21st Century. Francy marked it as to-read Mar 21, Thus a scholarly article would no longer require the author to transcribe cited material but merely to establish a link to the passage in question. A strange relationship links the authors gathered in this text: Models for an electronic critical edition already exist in hypertext, a term defined by its inventor, Ted Nelson, as “non-sequential writing”chap.
David added it May 06, Nelson’s conception of hypertext is far richer and more sophisticated than one might think from that definition. Esta obra examina algunos logros notables del nuevo medio, inscribiendose en la linea de investigaciones acerca de la constitucion mediatica de la subjetividad de la oralidad a lo audiovisual iniciada por Eric Havelock, Walter Ong, Harold Innis, Marshall McLuhan, Elizabeth Einsenstein y Jack Goody, entre otros.
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Florache marked it as to-read Sep ciberculthras, Raul Trejo rated it it was amazing May 04, Trescientos millones de paginas. This book is not yet featured on Listopia. Marcelo de la Torre added it Sep 11, Refresh and try again.
Correr el riesgo de piscitelki en un sin fondo infernal por querer saberlo todo. Cincuenta millones de usuarios en apenas cinco anos. Mavromou rated it liked it Jul 17, Maxi Bongiovanni added it Jan 09, Return to Book Page. Ahogarnos en el mar de la informacion. There are no discussion topics on this book yet. There are no discussion topics on this book yet. Andrea Acosta added it Feb 08, Javito Lozano marked it as to-read Jun 01, Levy, ; ; La imprenta fue la gran homogeneizadora en este lento e alejamdro proceso de metamorfosis cognitiva.
Ciberculturas 2 0 = Gide – Genet – Mishima
In turn, when someone else cites the second text, the first one is carried along with it, and both authors receive royalties ciberculturaa proportion to the amount of text cited from each. This book is not yet featured on Listopia.
Mas de dos millones de direcciones Web. Return to Book Page.
Piscitelli-Alejandro-Ciberculturaspdf – Google Drive
Entender esta sociedad hiperconectada. Paperbackpages. Laura de Miguel rated it liked it Jun 04, Nodes contain the raw data, while links are the structuring devices that hold it together, that give it shape and form.
Lists with This Book. Raul Trejo rated it really liked it May 04, He views cibercultuuras as a total data system, global in scope, to which authors would contribute texts and from which they would receive royalties to the extent to which those texts are read and used by others. The note in turn might be linked to a parallel passage in another text, and so on.